With Jeschke, I tug at crumpled fossils,
plots drawn from a moving landscape
to tease out the betrayal of memory. - Drenched Co.
Comment: "In her fresh and well put together little show at l’étrangère, Jeschke alludes to the altering of memory through cultural and natural effects over time. To me, Jeschke's work also suggests how a changing reference system of a given culture changes what we see and how we see. As codes of memories change, we cease to notice or alter the way we see certain elements in our environment. As well as being unreliable, memory is selective. For me, Jeschke wants us to consider how time and culture teaches us what to remember and what to ignore. I loved her aluminium totem-like sculptures." - FaSa
See http://letrangere.net/exhibition/marie-jeschke-3/
See also http://www.woundsthatbind.com/2016/02/exhibition-review-marie-jeschkecant.html
Caption: Image above: Installation view Marie Jeschke© l’étrangère, London 2016
Image courtesy of the artists and l’étrangère, London. Photo: Andy Keate
We take great care not to harm the image in any way. It has not been cropped, altered, montaged or overlaid with text ( only in the separate sections below and above it) or manipulated in any way. Images are always used with supplied captions. And the views expressed here are solely those of the authors in their private capacity and do not in any way represent the views of the said artists or gallery. - Drenched Co.
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