Aglaé hangs an emptiness in a trespassing slack
as colour runs a stumbling presence. - Drenched Co.
Comment: "In the tradition of the best 'drab' poetry, Aglaé's paintings have little sensuous imagery and little need for histrionics. They dignify a quiet, intimate tone. And released from pretentiousness, noise and vulgarity, these paintings, as with Oglander's mirrors, have the potential of returning us to that odd cusp between thing and idea, wherefrom all poetry originates. I was bowled over by Aglaé's mural" - JayZee
See http://sohorevue.com/revue-gallery/current
See also http://www.woundsthatbind.com/2016/03/exhibition-review-aglae-bassens-and.html
Caption: Image above: Installation view Aglaé Bassens© and Eric Oglander© Revue Gallery, London 2016
Image courtesy of the artists and Revue Gallery, London.
We take great care not to harm the image in any way. It has not been cropped, altered, montaged or overlaid with text ( only in the separate sections below and above it) or manipulated in any way. Images are always used with supplied captions. And the views expressed here are solely those of the authors in their private capacity and do not in any way represent the views of the said artists or gallery. - Drenched Co.
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