“Aran's a psychic economy of wordless languages flexing an impression into a vector in any direction."- Drenched Co.
Notes: "Uri Aran is tracing an elusive, unstable movement in his thoughts onto a stable and frozen two-dimensional plane. The canvas is the choreographic setting for these movements occasioned by ideas moving fluidly across the surface of the canvas, like odes to passing sensations, untethered, aloof, barely recognising its/his existence, eschewing legibility and playing for temporality. There are no punctuations, no discernible rhythms, no outlines or distinctions, no attitude or style, all sub text, illusive and intensely private. There is too much freedom in his movements, now here, now gone, now everywhere, building rebuilding hierarchies, hardening and erasing borders, transitioning to new allegiances after another between different cultural contexts, languages and landscapes. Through his paintings, Uri Aran talks to me with the quietest of murmurs about human imperfectability and the allure of the impossible map. A fabulous exhibition of paintings at Sadie Coles! " - Raj
See https://www.sadiecoles.com/artists/3-uri-aran/
See also http://www.woundsthatbind.com/2019/03/exhibition-review-uri-aran-tenants-like.html
Caption: Image above: Installation view, Uri Aran, Tenants Like These, Sadie Coles HQ, London, 31 January - 16 March 2019
Copyright Uri Aran, courtesy Sadie Coles HQ, London Photography: Robert Glowacki
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We take great care not to harm the image in any way. It has not been cropped, altered, montaged or overlaid with text ( only in the separate sections below and above it) or manipulated in any way. Images are always used with supplied captions. And the views expressed here are solely those of the authors in their private capacity and do not in any way represent the views of the said artists or gallery. - Drenched Co.
