With Dwoskin, my gaze is never dishonest in its horror. - Drenched Co
Comment: "Watching Dwoskin's films, I am rooted when I can't wait to escape. 'Girl' (1971) shames me for my sadistic voyeurism. I don't want to be seen and exposed. Yet this is what Dwoskin does to me. I felt it again in his masterpiece 'Behindert' (1974). It is this 'fourth look', present in a lot of Dwoskin's first person narratives where his subjective camera limits the vision in ways that horror may hide in its blindspots. I can't go back! " - JayZee.
See http://vilmagold.com/exhibition/stephen-dwoskin/
See also http://www.woundsthatbind.com/2015/12/exhibition-review-stephen-dwoskin-at.html
Caption: Image above: Stephen Dwoskin© Installation view Vilma Gold, London 2015
Image courtesy of Vilma Gold, London.
We take great care not to harm the image in any way. It has not been cropped, altered, montaged or overlaid with text ( only in the separate sections below and above it) or manipulated in any way. Images are always used with supplied captions. And the views expressed here are solely those of the authors in their private capacity and do not in any way represent the views of the said artists or gallery. - Drenched Co.
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