With curator Hlebo, incoherence becomes the site of ruptured wounds, stuck in an overwhelmingly white space. - Drenched Co.
Comment: " In this show, exploring mainly the various facets and symptoms of oppression in America, I encountered a bunch of dizzyingly busy young artists, (guns blazing on all media fronts), involved in the art and politics of ‘the post’. It was all a little unavailable but the questions it attempts to ask are compelling - what is your complicity in the oppression of the marginalised? how much has your humanity diminished as you oppress and are oppressed? Great premise for a great show. If only it wasn't trying so hard to be all 'post'. " - JayZee
See http://www.edelassanti.com/exhibitions/57/overview/
See also http://www.woundsthatbind.com/2016/02/exhibition-review-ryan-foerster-yulan.html
Caption: Image above: Installation view 'people sometimes, die' Edel Assanti, London 2016
Image courtesy of the artists and Edel Assanti, London. Curated by Jesse Hlebo.
We take great care not to harm the image in any way. It has not been cropped, altered, montaged or overlaid with text ( only in the separate sections below and above it) or manipulated in any way. Images are always used with supplied captions. And the views expressed here are solely those of the authors in their private capacity and do not in any way represent the views of the said artists or gallery. - Drenched Co.
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